Friday

John Berry

Stopping on a Gravel Road


. . . . .You are a boy.
. . . . .The sun, soon to set, its low round shining fire visible through the trees. Unlike the bright yellow of day, the amber sheen lights only small, sporadic sections of the forest-a few branches of one tree, the trunk of another. Surrounding these accents is immediate and complete darkness-not quite black, but a deep purple of faintly seen outlines. The spots highlighted in gold seem frozen, every detail clear and naked: the serrated leaves, the veins within, the full green hue. When the breeze picks-up, a gentle flutter, a call answered by the rest of the woods with a sound like rushing bay waves.
. . . . .Each leaf beckons.
. . . . .A beacon.
. . . . .Come in. Come in and join the easy peace, the gentle quiet.
. . . . .The woods are slow and constant. It grew before your birth and will stand after you are gone. In between, a slight hint of change.
. . . . .Indiscernible.
. . . . .Insects sporadically dart through the air in patterns that pay no heed to the level earth⎯curving patterns and angles. Now here, now there, now up and down-now in the light and then out again. All are wisps of shining gold until they leave the light and reveal their true colors.
. . . . .Walk. The gravel does indeed crunch beneath the feet. Under foot and weight the stones rub against each other. Each step slightly rearranges the canvas below. The stones are trucked in from some gravel pit unknown and poured along to form this loose, winding road.

. . . . .With youth, nature and magic are still intertwined.
. . . . .In the distance, you can hear your father coming. He drives his precious car slowly along the looseness, lest the impulsive gravel jump up and scratch his paint.
. . . . .Is it any mystery that he does not understand you?



John Berry earned degrees in English and Creative Writing at the University of Oklahoma and is currently an English Instructor at Bismarck State College in North Dakota. His work has been published in Windmill and in Tough Times Companion, an anthology published by the Virginia Foundation for the Humanities.


Ray Succre

While Virgins Decked the World


Just as I began to breathe,
while virgins decked the world
hollyhocked in myconeum
and drizzled into cribs,
I fell forward in hog-mouthed gasps—
for milk, well, copper for the armature,
and I was hugged while drinking, salt
in step, a notion erupted to feedings.

When, as by a crisp wafer bitten,
I broke naked to the doors,
the two people enjambed
my heart in pajamas where my feet
were rats or rubies, nubs of running.

I did all I was glimpsed upon to do.
It was trust, see, holy ominous,
the shit, trust,
just as I began to breathe.



Overclocked


The pail of this person is always assessed
by its fill of things I don’t want to carry,
sequences and mashes of things others state
I am lax to entertain past solve.

My parents come to visit
and I appear very wholesome.



Ray Succre currently lives on the southern Oregon coast with his wife and baby son. He has been published in Aesthetica, BlazeVOX, and Pank, as well as in numerous others across as many countries. His novel Tatterdemalion was recently released in print and is available most places. He tries hard.


Steve Nelson

Maranda on Fire


. . . . .I started firewalking after seeing a picture of a monk burn himself to death, but of course it's more complicated than that. I saw the monk in history class, where we were studying Vietnam, talking about the mistake it had been and the protests against the war, in our country, and over there, where they took it a lot more seriously. You see, in Vietnam they're Buddhist, which means they've got monks, and to make their point these guys didn't paint signs or pass out flowers, no, they'd go to busy intersections, douse themselves with gasoline, wave a lighted match against themselves, then just kneel down and burn, not moving a muscle, not flinching, or even gritting their teeth, they'd just sizzle then melt then die. Maranda was in class with me, sitting across the darkened room, and I glanced over to see the side of her face catching the light from the screen. Her eyes were fixed on the screen like everyone’s and then she asked, "How did he do it? Not feel any pain?" Our teacher said it was through meditation, detachment, letting go. Some crazy Buddhist trick, he said, that he didn't quite understand. The room was quiet a few more moments then somebody mumbled something about paper cuts, another mentioned toothaches, and most everyone agreed that this guy was not like us, not even close. But I knew they were saying that because they didn't understand. And though I didn't understand either, how he did it, I knew we weren't that much different from each other, me and that monk, it was just that he'd figured it out, how to shut his mind off.

. . . . .That night I was sitting in my friend JD's basement playing poker. It was about ten o'clock, I had a pair of jacks, and was wondering if it was good enough to win the $4 pot. Then I realized I didn't care either way. I folded, then at the end of the hand got up and said I was leaving.
. . . . ."What?" JD asked. "Why?"
. . . . ."I just don't see the point in it."
. . . . ."Come on Eric," he said. "We're having fun, hanging out, there doesn't have to be a point, does there?"
. . . . ."Maybe not, but I just...."
. . . . ."Is it Maranda?"
. . . . ."What do you mean, is it Maranda?"
. . . . ."Something happening with you two?"
. . . . ."Come on," I said. "We've been friends since first grade."
. . . . ."You've been acting funny around each other lately," he said.
. . . . ."They haven't even been talking to each other," my other friend Pete added, and I looked at the both of them incredulously, as though they were confusing me with someone else, though really I couldn't believe they'd noticed, that they'd been paying attention at all.
. . . . ."I'm just tired of playing cards, that's all," I said and left.

. . . . .On my way home I walked past Maranda's house. She lived on the same block as me, our big backyards touching at the corner. I saw the light on in her bedroom and slowed but didn't see her. We'd been friends, like I said, for a long time. She'd never been a tomboy exactly, but had always liked to play—kickball, soccer, Ghost in the Graveyard, that was our favorite. Base was the cedar deck on the back of her house and there were lots of good hiding spots in the evergreens that ran between our yards. Some days if it was just the two of us we'd race back and forth from one end of her yard to the other. Maranda was faster than me when we were kids and usually won, but neither of us cared. It was just fun to race.
. . . . .But we weren't quite kids anymore. That had all changed the last weekend of summer. Maranda had been gone July and most of August, to her aunt's farm in Gettysburg, where she went every year. When she returned, I didn't recognize her. I was at a party and I saw her profile from across the room and I said, Wow, who is that? When she turned and smiled at me I realized it was Maranda, but ‘d grown taller, thinner, her cheek bones were higher on her face, and she'd let her hair go long, it was down to her shoulders, and lighter than its usual brownish-red. She walked up to me smiling and gave me a hug, which was something new. As she held me, I felt her breasts on me, and this was new too. "Eric," she said finally. "How are you?" Even the sound of my name coming from her mouth was different. This was a new Maranda.
. . . . .The party was at Ginny Bauer's place, which was an old farmhouse with a big barn, silo, and a few acres of property. Most of the houses in our town were built in the sixties, so when you went to Ginny's you really felt like you were going somewhere, and because her parents liked to travel, she had a lot of parties. This night just about everyone was there, and there was lots of beer, which I was drinking, and rum punch, which Maranda was drinking, but neither of us had ever been much for drinking, and we began to feel pretty carefree quickly. Though it was a cool night, most were hanging out by the big in-ground pool, doing cannonballs or complaining about being splashed, but Maranda and I found ourselves stealing away, walking back behind the barn where we sat on some old tractor tires and unexpectedly began to kiss. At first I couldn't believe it was me and Maranda, but she was so warm and curvy, such a good kisser, that after a few moments I forgot about that. And as we kept on I forgot about everything else. I'd kissed girls before, but only awkwardly. This was different, it was like the rest of the world had disappeared and everything that mattered was right there in my groping, tingling hands.
. . . . .But I guess you can only kiss for so long, or maybe Maranda had drunk more than I, but after a while she stopped kissing me and was reaching down for me, unbuttoning my shorts, and I guess I'd been dreaming about something like this happening. Of course I had—daydreams, nightdreams, all kinds of dreams, but never the kind I’d expected to come true. In a way I was more awash in sensation, the tingling feeling now shooting and pulsing all the way from my fingers and toes, but at the same time the world had come back to me, and I was looking around, trying to get my bearings, checking to be sure no one was watching, and then I guess I couldn't resist looking down at Maranda, and she was pulling her hair back from her face, and like I said, this new profile of hers was absolutely beautiful, and I felt myself smile at the sight of us. But she must've felt me looking at her because she opened her eyes and looked up at me, and from straight on she looked like the old Maranda, the old friend I'd played with all my life, and she must have seen something too, maybe felt the same thing, because she pulled herself back quickly, as if startled, then we both looked away from each other. She got up and stepped away while I stood and buttoned up. She'd pointed herself away from me and I felt I myself wanting to say something, but only let out a low "Uhhmmm...." She began to walk quickly back to the party with her long, loping stride, and I followed about ten steps behind.

. . . . .We'd avoided each other since then, not so much as looking each other in the eye, and I'd been doing all I could to stop thinking about her, but it was tricky because I didn't know exactly what I was thinking, only that I didn't feel like myself when I thought about her. I'd wake each morning before five o'clock, with the feeling that all the air had been sucked out of me. I could never fall back to sleep, feeling at turns dirty, weepy, weak, or desperate, and this anguish was something I'd never experienced before in my life, as everything had always gone along just well enough. My friends and I, we didn't do sports, or drugs, didn't have girlfriends. We hung out and played cards, watched a lot of movies. For thrills we’d go to Six Flags and ride the coasters. I'd been hoping something might happen that actually mattered, but then when it did, I just wanted to crawl back into my old clothes and nod along to life.

. . . . .When I got home that night my parents were out, gone as every Friday during the season to my brother's football game. Our town was mad for football and my brother was the team's starting center. He said it was one of the most important positions on the team, but I thought who'd want have the quarterback putting his hands between your legs to start every play? Sometimes he wanted to practice snapping the ball to me, but after the first time I always came up with a good excuse to avoid it, and he'd get our dad to do it instead. I guess I didn't understand football, or my brother, or my parents that well. I’m not saying this had been a big problem for me. It's not like I thought I'd be better off with another family. My mom, with her television shows and coupons, my dad with his job and newspaper, my brother always hiking his football, they were my family, I couldn't imagine things any other way, though sometimes I felt like a visitor, like I was watching them be a family.
. . . . .In my room I started looking through some boxes of old papers and pictures and stuff. I knew I was too young to be sitting home on a Friday night reminiscing, but there I was, looking over old class pictures from grade school, wondering where the years had gone. And there were other pictures too—a big group of us eating popsicles on Maranda's back deck on the Fourth of July, Maranda and I at Six Flags, smiling at the camera, not a care in the world. I wondered again how it had happened. There'd been no reason for us to wander off to go sit on tires, kiss, any of it. We'd even talked about it over the years, when others had coupled up, we could see how silly it was, the hand-holding, phone calls, dates, the inevitable break-ups. "Just gets in the way," we'd agreed, though exactly what it got in the way of we didn't say. I thought maybe we'd talked about others as a way of talking about ourselves, but it had never felt like that. It had just felt like, well, Maranda and I, like it always had. I shook my head and told myself I had to stop thinking about her. But I knew it wasn't as simple as telling myself to stop. I needed my mind to go somewhere else.
. . . . .I put away the pictures and went through some of my old schoolwork, finally pulling out a report I'd done on firewalking in junior high. According to my report, firewalking had been used as a ritual by lots of different cultures, as an initiation into manhood, proof of faith or bravery, or an act of penance. And even though the fire would be between 800-1200 degrees, the key was simply telling yourself you wouldn't get burned. You had to be "in the moment," and unafraid, which isn't easy because apparently we're born with two fears—of falling and of fire.
. . . . .I thought about that, and the fact that we acquired all our other fears over time, through living. It seemed to me that fear of falling and fear of fire were both kind of the same thing—fear of death. I figured that's what all fears were based on and thought that would have been an interesting angle to add to my report, though of course I hadn't been thinking about that in junior high. I tried to remember what I had been thinking about then, what had kept my mind occupied, but I couldn't do it. Am I the same person I was then? I thought. And the answer was obviously no, but I wasn’t quite a different person either. I thought back to that monk we'd seen burning up in class that day, and that's when I decided maybe I should try it—not burn myself, kill myself, but firewalking. I needed to do something, and thought if I could walk on fire I'd kind of be like that monk, at least I'd have more control over things.

. . . . .In our town you could burn your leaves and the next Friday night, after my parents had gone to the game, I raked the leaves from the back yard into a ten by three foot section behind the garage. I covered them over with small pieces of kindling and mulch we got for free from the city dump, then doused it all with lighter fluid, threw down a match, and watched the fire burn. I couldn't walk until the flames had died down and there were only coals, the embers. While waiting I tried to sit and relax, not meditating exactly, I didn't know what that was, but I was just sitting there close to the fire, watching the flames dance, feeling the heat, listening to the crackles and hiss. All week I'd been thinking about it, preparing myself, imagining myself walking over the coals. Now I was going to do it.
. . . . .I had a small tub of water set up at the end of the run, just in case. After the flames had died down, I got up and walked around the edge of the bed barefoot, figuring to build up to it gradually, like settling down into a steaming hot bath. I did this a few times, concentrating not on my feet or the fire, but my breathing like I was supposed to. Finally I told myself it was time to go through. I stood at the edge, and standing close like that, in my bare feet, it was easy to stay "in the moment" because all my senses were paying close attention. Survival instinct, I suppose, like peering over the edge of a cliff. I took some deep breaths, looked ahead, exhaled one more time slowly, then took a step, then another, then a third. The coals felt crunchy, like eggshells. I could feel that, but not any heat, not any pain, I realized I was nearly halfway across, and I felt myself smile at the realization that I was doing it, and then immediately the sharp prickles of heat shot up from under me, and I lunged forward, getting off the coals in two quick strides. I stepped into the tub of water gritting my teeth and swearing quietly, I figured the balls of my feet were burned beyond repair, but after I sat and breathed for a minute I couldn't feel any pain. I stepped through the cool, damp grass into the house then inspected my feet and saw there were no blisters or burn marks. I rubbed a little aloe vera on them just to be safe, then told myself though I hadn't made it all the way, it was a start, I'd walked on fire, and more importantly, I'd been "in the moment," had "let go," and stopped thinking. I’d stopped thinking about Maranda. Of course, once I told myself this, I started thinking about her again. But still it was progress. And nice to have gotten away for a while.

. . . . .The next Friday night I set up another fire. As it got going, I strolled around the perimeter again, breathing in and out, visualizing myself going through. When it was time to walk it I did so without a thought, not feeling the fire at all, not even realizing I was moving until I was done and stepping back on to the grass. When I looked back over the fire bed I could hardly believe I'd just gone through it. I had no recollection. My feet felt fine. I waited a few minutes, then did it again. Same result. I did it again. Success.
. . . . ."What are you doing?" a voice came from behind me. I knew it was Maranda.
. . . . ."Firewalking," I said quietly, as if I wasn’t quite sure.
. . . . ."Why?" she asked, coming closer.
. . . . ."Something to do, I guess."
. . . . ."Can I try?" she said.
. . . . ."I don't know," I told her. "You've got to plan for it, think about it, you can't just jump on and—"
. . . . ."I'm going to try," she said, taking off her shoes.
. . . . ."I don't know, Maranda."
. . . . ."You just did it, right?"
. . . . ."Yeah," I said, and she looked straight at me and shrugged. This is how she'd always been. If I or someone else could do something, climb a tree, go off the high dive, bike around the block in under two minutes, she could do it too. Or at least she'd try. So I didn't argue with her, but just watched as she stood on the edge of the fire and took a few deep breaths. "Just breathe," I said. "And don't look at it." She gazed ahead, which gave me an opportunity to really look at her, and again I was amazed that this was Maranda, so regal and lovely and curvy. She was wearing a snug white sweater and blue jeans that she'd pulled up around her calves. She exhaled once hard, then took a step forward, then another. I walked backwards to the end of the fire and looking at her face almost straight on I could see again that she wasn't as beautiful as from the side, her eyes were a little too close together, her chin a little square, that there was still some of that matter-of-fact quality in her that had always surfaced when she was concentrating. She looked like the old Maranda again as she was making steady progress across the embers towards me. As soon as she'd finished though, and set her feet onto the grass beside me, she relaxed and smiled and I was nearly knocked over by her transformation back to a beauty.
. . . . ."Wow," I said.
. . . . ."I did it," she said excitedly.
. . . . ."Yeah."
. . . . .When she turned to go past me I could smell the shampoo in her hair. She went to pick up her shoes, turned halfway towards me, then said, "You know that party?"
. . . . ."Yeah," I said.
. . . . ."I don't know what happened."
. . . . ."Me either," I said. "That was...strange."
. . . . ."I never, I mean, I never did that before," she told me. "I don't want you to think that I—"
. . . . ."No," I said. "Of course not. I didn't think that. I just...well, I guess I don't know."
. . . . ."We can just forget about it, right?"
. . . . ."Yeah, maybe we should. I mean...."
. . . . ."You don't want to forget about it?" she asked, turning towards me.
. . . . ."I don't know," I said, looking down.
. . . . .I could sense she was waiting for me to say something more to her, but nothing came to mind. "Well, I think we should just forget about it," she said, then turned and walked back towards her house.
. . . . .After she left I realized I'd been spending all my energy trying to stop thinking about Maranda and what had happened, but hadn't considered what she'd been thinking, or feeling, and I began to think about that, especially what she was thinking about me, and this made everything even worse. I didn't feel just empty, but nauseous. I didn’t just feel alone, I felt doomed. I tried to walk the fire again that night but one step and my feet were crackling with pain. Concentrate, I told myself. Then I said, no, don't concentrate. And then I gave up, I knew I was trying too hard.

. . . . .During the week I tried to do other things to keep my mind busy. One day I went to the basement and tried to work out with my brother's weight set. Another I went for a long walk to the park at the other end of town. I worked on some old card tricks I used to be able to do pretty well. One night I snuck two beers from the basement fridge and drank them while I played chess on my computer. But nothing worked. When I'd see Maranda in school I couldn't help but watch her, but she never looked my way. When my eyes were on her I'd get those tingling sensations, but I could hardly enjoy them because as soon as I looked away it was like I was catching myself, and then I'd feel lost, adrift, like a kid left behind at the mall.

. . . . .Finally Friday came and I could do my firewalking again. And Maranda came over again too, and we took turns walking the fire, not talking much in between, and when we did, it was just about the fire, or school, or something else unimportant. We didn't talk about each other, or that night. We weren't comfortable like we'd been before, but when I was with her I didn't feel quite so beat up about things, everything in me just sort of quieted down. Still, we didn't look each other in the eye, even when we said goodnight and she went through the evergreens towards her house. After she left and I put out the fire I tried to get to sleep as soon possible, because I knew if I waited too long, the swirling would come back.

. . . . .Somehow news of our firewalking got out and the next Friday night there was a small crowd of kids from school gathered in my back yard watching me set up. A few said they wanted to try, but most just wanted to watch. I'd never had much attention paid to me, so this was something new, and I kind of liked it, those dozen or so people, watching me get the fire going, asking questions, waiting to see me walk it. JD and Pete were there and they were looking at me like they didn't know me. "You should try it," I said to them, but they just shook their heads.
. . . . .Maranda came over just after I'd finished my first pass and she said, "What's going on?" to no one in particular, and they filled her in, as if she had no previous knowledge of the firewalking, and she let them believe that was the case. After I'd gone, two guys who'd been suspended from the football team tried, but neither could make it more than two steps without yowling and jumping off. Then a guy from the soccer team tried and he made it across, but nearly ran doing so, and not surprisingly burned the balls of his feet. A couple girls consoled him while a guy named Rob, who'd been a kid with us all along, but who'd been sent away to juvenile detention facility that summer for winning a fight a little too decisively, tried next, and he moved across the coals gingerly, methodically, breathing loudly through gritted teeth, but he made it all the way across. When he was done he got high-fives from the other guys and said it was just a matter of "tuning things out." But I could see when he pulled his socks and shoes on that his feet were hurting a bit. I did another pass then someone got a call on their cell phone about a party starting up and everyone split and it was just Maranda and I.
. . . . ."Why didn't you walk?" I asked her.
. . . . .She just shrugged and bent to take off her shoes. "I'll go now."
. . . . .Because I'd run out of leaves to burn, and maybe because there'd been a crowd, I'd added extra wood chips and the fire was hotter than ever before. Though Maranda walked it without getting hurt, she said she'd felt it a little, the heat on her skin, and told me to be careful when I said I was going to go one more time.
. . . . .I stood at the edge of the fire, looked down at it, then up at the night sky, the branches of the empty trees swaying in the wind. I took in a deep breath and even with the fire before me, I could smell October in the air, feel the chill of autumn coming, and then I almost laughed at the ridiculousness of it, walking on fire in my back yard. It was as if this was the first time I realized what I was doing, as opposed to just being bent on doing it, and I felt glad, like something had been lifted off of me.
. . . . .I looked over at Maranda and I felt myself smile at her. I took my few deep breaths and stepped forward. Two steps, three. I felt nothing and was even able to tell myself I was feeling nothing. It was like I was watching myself do it. I took another step into the middle of the fire, the hottest stretch of it, then I felt myself coming to a stop and I began to count: one...two...three...four.... When I'd walked the fire successfully before this I'd had no clear thoughts, just a blank mind, but this time I was still aware of myself, with even a dim recognition of the fire hissing below me. But still I felt no pain, felt nothing, and just stood motionless counting...five...six...seven.... I got all the way up to ten then felt something—Maranda's hand grabbing mine. Then I felt myself grabbing back. And as I did the pain came rushing into me, the feeling of my feet getting seared, as if the skin was being peeled raw. I jumped sideways off the fire towards Maranda and we got twisted around each other and fell onto the edge of the fire. Her shoulder dipped into the coals, the ends of her hair getting singed, and she let out a little scream as we rolled together onto the grass. And when we were safely away from the fire we just lay there, wrapped around each other. I had my eyes closed, then opened them to see Maranda looking straight at me.
. . . . ."Are you okay?" she asked.
. . . . ."Hurts a little," I said.
. . . . ."Me too," she told me. She was looking right at me, and I realized she was beautiful, even straight on like this.
. . . . ."But this feels good," I told her and pulled her closer to me.
. . . . .She sighed and pressed her head into my neck and shoulder. "Me too," she said. "I feel good." And we stayed there a few more minutes until finally she put her mouth to my ear and said, "Let's go to my house."
. . . . ."Okay," I said and we got up and picked up our shoes. My feet stung a bit, but it was bearable, and Maranda and I put our arms around each other and went through the evergreens towards her house. When she let out another sigh, I kissed her on the top of her head and pulled her closer to me. Maranda, I thought. Maranda. I didn't want to stop thinking about her after all.



Steve Nelson has had work published in The Rambler, Storyglossia, Riverwind, eye-rhyme, The Absinthe Literary Review, and elsewhere. His essay “Mind Wide Open” is included in the anthology The Runner’s High: Illumination and Ecstasy in Motion. “Night at the Store,” a novel excerpt, was published in Phantasmagoria and nominated for a Pushcart Prize. He is a former fiction editor of The Cream City Review and currently teaches writing classes at the University of Wisconsin-Milwaukee, where he earned his PhD in Creative Writing.


Christy Wise

Harvesting


. . . . .This was going to be the year. Finally, my family and I would enjoy apples from the two trees I’d planted several years before.
. . . . .I envisioned the trees – one Red Delicious and one Royal Gala – as a sort of memorial to my mother and as a direct way of carrying on, with my children, her tradition of nurturing fruit trees and harvesting fruit. Lee and Charlie had loved our summer visits to Mom’s home in California where they helped pick apricots, plums, peaches and lemons from the half dozen or so trees in her backyard. For weeks after we returned from the visits, they said things like “I can’t wait to go back and pick more apricots” and “Grandma even let me get up on the ladder!”
. . . . .After Mom died, I wanted us to have fruit trees, too, and for the kids and me to pick the fruit. It would connect us to her. The children were eight and six at the time and I imagined many summers of harvesting apples, pears or peaches together. I wasn’t sure which fruits would do well in the humid summers and cold winters of Washington DC so I talked about it with Sam at the local nursery. He suggested dwarf apple trees because they would bear fruit faster than the full-size variety and would grow well in our climate.
. . . . .“Dwarf?” I asked, thinking about the miniature Mayten we’d had in the yard of my childhood home. At age 10, I could look down on it. My parents had inadvertently damaged its roots while planting it, creating a bonsai of sorts.
. . . . .“Even dwarfs grow quite large,” Sam said. He explained that the two he’d ordered would pollinate each other.
. . . . .After the order came in, Sam sent someone over to plant the trees in our front yard, the only real sunny spot. The children were at school. The man from the nursery dug two large holes in the garden and planted the small trees, each about four feet high. That night during dinner, I announced that our apple trees had arrived. After our meal, the kids and I went out to look at the trees which were probably about the same height as them, at the time -- nine and seven years old.
. . . . .“When will we have apples?” Lee asked, clearly a little disappointed at the size of the trees, and their bare branches.
. . . . .“It’ll take a year or so,” I said, not wanting to show my ignorance. I had no idea when they’d bloom but knew it wouldn’t be the first season. “They’re dwarf trees so they might not get as big as Grandma’s.”
. . . . .“They’re not much bigger than we are,” Charlie said.
. . . . .“That’ll change,” I said, optimistically.

. . . . .I followed directions for pruning newly-planted apple trees, trying to create the shape suggested in the book, reduce crossover of the branches and provide more daylight for each branch. With the trees as scrawny as they were, every branch had plenty of sunlight.
. . . . .It didn’t surprise me the first year when there were no blossoms, and hence, no fruit. The second year was similar. The trees were growing, slowly but steadily, and producing nothing. Each year, I pruned them as described in my fruit tree guide, and fertilized them. I’ll be patient, I thought, trying to convince myself of that. And then winter would arrive. I’d forget about the trees as they and the whole garden hibernated.
. . . . .Around the third spring, a few blossoms came out, followed by small, plum-sized fruit. I watched carefully to see what happened but only a couple of apples grew to a medium size and never turned red.
. . . . .“These apple trees sure take a long time to have fruit,” Lee commented one day while she was out in the yard with me. She sat on the bench keeping me company while I weeded around the daisies, calamintha, parsley and basil. Our two black cats picked their way among the plants, sniffing one now and then, stopping to look at a bird nearby.
. . . . .“Yeah, I thought Sam at the nursery said the dwarf trees would produce fruit faster. But these aren’t doing much,” I said.
. . . . .That spring I attempted to understand the situation. I read two more gardening books but didn’t find them helpful. I tried to talk with Sam but he just shrugged. Apparently, he’d exhausted his knowledge of fruit trees with his recommendation of the dwarf trees and wasn’t interested in learning more on my behalf. I called the local agricultural extension service, surprised to find one in Washington, D.C., but didn’t receive a call back.
. . . . .After that, each spring they’d produce a few blossoms, a few small fruits and nothing more. I felt stuck. I didn’t have time to take on a major educational project about becoming an apple farmer and I felt I’d done what I could on a less intense scale. I sort of gave up. I stopped giving them even the minimal attention I’d earlier bestowed on them and became distracted by other things. With a writing business, a husband, my two children and a houseful of pets, my attention was called in many directions.

. . . . .One spring when Charlie and I were at the nursery together, he spotted a coleus.
. . . . .“Look at the red leaves, Mom.”
. . . . .“I like coleus,” I said, thinking of the times I’d grown them indoors.
. . . . .“Can we put it in the garden?”
. . . . .“Let’s try.” We bought one and that afternoon Charlie dug a hole, very carefully putting the soil from the hole in a nearby pile. We mixed the native dirt with soil amendment, as it’s called formally though I consider it a lifesaver for the plants from the suffocating hard, red clay that comprises most of the yard.
. . . . .Even though both children loved picking fruit with my Mom, Charlie was more interested in working with me in the garden. Perhaps Lee was averse to dirt and earthworms.
. . . . .When Charlie finished putting the coleus in the ground and covering it with soil, he watered it and we sat on the nearby bench, talking.
. . . . .“The apple trees are getting big,” he said, and they were – about 10 feet tall and appearing healthy. Charlie himself was about half their size.
. . . . .“They look great,” I said. “I just wish they’d bear fruit.”
. . . . .“Maybe next year,” he said, running off to play catch.

. . . . .We came to think of the trees as we did the nearby dogwoods and azaleas. They leafed in the spring, provided shade in the summer and were part of the landscape of the front bed, kept company by azaleas, rudbeckia, quince and gladiolas. When we sat on the weathered teak bench and looked out at the garden, more often than not we’d notice the flowers and whatever was happening in the cul-de-sac. The apple trees became background.


. . . . .This year was different. Seven years since they were planted, the taller of the two trees, the Royal Gala – now 12 feet tall or so – bore lots of fruit, I mean five young apples per each branch tip for about 150 burgeoning apples on the whole tree. This boded well for a plentiful harvest. This was amazing.
. . . . .“We have apples, lots of apples,” I told everyone at dinner that night. “I think we’ll have a real crop.” They interrupted their meal to run out and look, disappointed at the small green marbles prompting my excitement.
. . . . .“They still have to grow all summer,” I defended myself, “But eventually they’ll be apples!”
. . . . .My gardening books, now a bit more useful, said to pick off some of the early small apples so others would be larger and, as much as it pained me to do so, I did.
. . . . .“Why are you pulling off all those little apples?” Charlie asked when he saw me. “They’re not ripe yet.” Now 14, he was playing basketball on the driveway, trying to encourage me to join him.
. . . . .“I know – it’s weird,” I said. “But my book says to pick off the ones that are in clumps and leave only one per branch tip. That way, it says, the one that remains will be larger.”
. . . . .I was very excited by this new development. Wow, what I’d dreamed of doing with the kids might really happen, I thought, recalling why I’d planted the trees in the first place. Thoughts of my mom, never far under any circumstance, became more vivid and I remembered the sunny back patio of the home Lee and Charlie visited: golden marguerites, lupine, poppies, forsythia and the laden fruit trees spread up the steep hill behind the house. In clay pots on the patio, Mom had planted geraniums, primroses, impatiens and lobelia.
. . . . .I thought of the yard of my childhood with Mom and Dad working in it almost every spring and summer weekend, Mom in old pedal pushers and a sleeveless top, Dad in stained khakis and a white t-shirt. They’d created a terraced vegetable garden in the side yard and spent hours planting, weeding, watering and harvesting – lettuce, tomatoes, green beans, artichokes, rhubarb, chard, carrots, and lemons. Apple and plum trees co-existed with the vegetables even though they cast shade. Dad knew how to prune fruit trees, and he did – on a ladder once a year. Also from his ladder, he regularly sprayed the trees with insecticide. During those months, no matter how hard she scrubbed, Mom often had dirt under her fingernails and, in a rare moment of vanity, she’d complain about her chipped fingernails.
. . . . .Neither my brother, Jeff, nor I helped much in the garden and certainly never voluntarily. We weren’t interested. In fact, I was surprised when I started to enjoy working in the garden in my 30s. What had happened? I thought it was just me until a neighbor and I got to talking one day and he admitted to scoffing at his father’s love of gardening in prior years and now, here in his 40s, he was digging in dirt.

. . . . .This year, each day Charlie, Lee and I watched the tree and observed the apples getting larger, going from grape-size to plum-size. Some were even getting larger than plums. These were the biggest apples this tree had ever created. I anticipated being able to observe their progress throughout the summer. Charlie asked what we’d do with all the apples.
. . . . .“At the very least, we’ll make applesauce,” I said, knowing it was a favorite of his and also knowing that even if the harvested apples were small and tart, they could be mashed up into sauce and, with enough sugar, made to taste sweet. Even the smaller, less fruitful tree, was bearing several apples. This was going to be the year, I thought.

. . . . .Before we went away for a week in late June, I looked over the trees and noticed that a leaf on the small one was being eaten by little bugs so I sprayed it with insecticidal soap and searched for others that might be afflicted. There weren’t any.
. . . . .I checked the apple trees a final time before we left town to make sure I’d pulled off enough small, competing apples. Leaving the trees even for just a week was tugging at me, causing me to wish we weren’t going away, at least not right then. They’ll be fine, I assured myself as we drove off to Dulles airport.

. . . . .The day after we returned from our trip, Charlie said, “Mom, let’s check the apples,” and all three of us ran out to the yard. One small apple hung from a lower branch on the large tree and the smaller tree was completely empty. One apple. I looked up, walked around both trees, looked on the ground. Nothing. Of the hundreds of apples on both trees, only one remained. I was stunned. Charlie came over and gave me a hug. Neither of us spoke for a long time.
. . . . .“I’m so sorry, Mom,” Charlie said.
. . . . .“This was going to be the year,” I said, wiping away some tears. Lee came over and held my hand.
. . . . .We went inside and pondered the situation. What had caused such a disaster? Deer? But they can’t climb trees. Raccoons? Eating sour, unripe apples? Pranksters? A lot of work for teenagers. We knew there’d been severe wind storms while we were away. But if the wind blew them off, wouldn’t there be apples on the ground?
. . . . .I spoke about it with a friend who’d grown up in Washington state – famous for its apples – and she said one storm can knock out a whole orchard. “My family once came upon a couple in Montana right after a thunderstorm and their whole crop was gone. Hundreds of trees bare. They were devastated.”
. . . . .“Can’t you do anything about it,” I asked. “Can you cover the trees?”
. . . . .“You can’t cover a whole orchard,” she said, matter-of-factly and started talking about something else. Yes, but I didn’t have a whole orchard. Just two trees, I thought but it was moot for this year.

. . . . .A storm. That was an explanation of sorts but not a cure. I still felt defeated and unhappy. I was confused that no apples were left on the ground. I walked around the house wishing things had been different, that I hadn’t been away, that there had been something to do, that there hadn’t been any storms, that at least a few more apples had remained.
. . . . .I fretted for a few days, many thoughts swirling in my head, including my recent remembrances of my mother and her bowls of apples and why I’d wanted the apple trees so much. Time was almost up for my harvesting dreams. In two years, Lee would be away at college and the kids wouldn’t be interested in running out to the trees and helping with a harvest.
. . . . .I cursed myself for not paying more attention to the trees each year. Maybe if I’d fertilized and pruned more consistently, the trees would have borne fruit earlier. Maybe I could have been more consistent about seeking advice. Many emotions tangled up over the damn trees, too many. And then, in the midst of my dark mood, I stopped.
. . . . .No tree can carry that much weight, I thought, laughing softly, a wry chuckle I’d inherited from my mother. If I’d so wanted to harvest something with the kids, I could have planted green beans or tomatoes, I thought. But, it suddenly dawned on me, I was doing other things with the children, activities that would create our own memories like building forts with the furniture and blankets, baking Christmas cookies every year, playing basketball on the driveway with Charlie, walking the dog with Lee. They’d remember those things, and me – just as I remembered Mom.
. . . . .Perhaps I was mistaken to try to fabricate memories for us that connected us to Mom. And, besides, I thought, feeling a little peace about the whole episode, they’d have their separate memories of my mom.
. . . . .And then, Charlie burst into the room in a panic that he couldn’t find his baseball mitt. I turned my attention to the crisis at hand.



Christy Wise, author, essayist and freelance writer, lives in Washington DC with her husband, two teenagers, a dog and two cats. Her essays have been published in The Sigurd Journal and the Wall Street Journal and her articles have been published in numerous magazines and newspapers. She is co-author, with her mother, of A Mouthful of Rivets: Women at World in World War II.


Wednesday

Jennifer Dempsey

The Trip Down


Oak leaves still sugared with dew. Our small boat
. . all but free from its rhythmic thud—
. . . . . . bow to dock, bow to dock. This water

thick, black, & falling. Let it rain. The night
. . the bear crossed Cheboygan State Park,
. . . . . . we hung berries in the pine.

It broke the fragile branches —scattered needles,
. . crushed fruit— & ripped everything of ours
. . . . . . that remained. Gone, we didn’t

hear the scream— her eyes, his lips. They’d been
. . chasing each other, covering their fingers
. . . . . . over the constant stars & rubbing

the falling heat. July came slick on the skin.
. . We swam in the Huron to escape
. . . . . . the growing deer flies, an unrelenting itch.

Dawn, their blood puddled by the lake. Footprints,
. . a single hand along the shore, gripping air,
. . . . . . & gnawed—. No bodies found, but I still smell

that desperation— in this bottomless morning river,
. . along these splintering paddles, & between us,
. . . . . . the moments we know we want something more.



Soft Knees

. . . .For Katie


We tunneled beneath the sink
for tissue to plump our bras. There, your mom’s
super tampons. Lipsmacker necklace, pink
scrunchies, a tube of mascara
in the drawer of expired makeup.
You rubbed its crusted wand above my lip,
a new moustache for the evening. Dinner and Dirty
Dancing
, my voice lower than yours— I was the man.
Just remember/you’re the one thing/I can’t get/
enough of
. Layers of tulle around your knees,
soft with blond down. How I wanted
that piece of womanhood— beautiful
gauze clutched in each hand, the skirt
fanning when you twirled. How I wanted
those half-inch heeled sandals,
cream-colored, purple nail polish
fresh on your pedicured toes. You wouldn’t play
90210 that day, even with your Dylan doll.
“We’re eight,” you said.
And when you pulled out that razor,
edge shiny, unused, I was unsure
which way to direct the blade— down toward my feet
or up toward my thigh. My first shaving blood
right there on the carpet. We stopped at the knees—
because ladies don’t go up there
and rubbed our fingertips down that polished skin.



Jennifer Dempsey is an MFA candidate at University of Maryland and a 2008 fellow in the Bucknell Seminar for Younger Poets. Her poems have appeared or are forthcoming in Redactions, Pebble Lake Review, The Santa Clara Review, Long River Run, and others.


Savage Machinery

...
Poetry chapbook by Karen Rigby [preorder]
Forthcoming September 2008 from Finishing Line Press
Review by Rebecah Pulsifer

. . . . .Karen Rigby’s second chapbook, Savage Machinery, invokes characters as diverse as the biblical Eve, Edward Hopper, and Georgia O’Keeffe, but perhaps the thread with which these sixteen poems are sewn together can best be understood through Rigby’s echo of the Surrealist poet Paul Eluard: “there are rooms behind / the ones you know.” Both Eluard and Rigby suggest there is a familiar but intangible reality worthy of illumination through poetry, and a glimpse into this other world is the gift of Savage Machinery. Forthcoming in September of 2008 from Finishing Line Press, Savage Machinery explores an apparent but veneered world of sleep, sexuality, invention, religious ceremony, and mid-century stagnation. This is a world where an autoerotic and an onion receive equal attention by the deliberate but elusive language of Rigby, who sees “The hand as a salt cellar, a compass, / a pharmacy / for the struck mouth.” The world of Savage Machinery is a world that exists below the surface of this one, and one that Rigby draws forward for the reader with control and precision.
. . . . .As with her 2004 chapbook Festival Bone (from Adastra Press), Rigby’s primary trope in Savage Machinery is the lives of women; here, in her second chapbook, she explores how women historically have presented femininity and how men observe it. In the collection’s initial poem, “Bathing in the Burned House,” men “long to be / the sky above the woman’s head.” Later, “Edward Hopper’s Women” describes “the curve / of their haunches / blazing in the first light, the beds / unmade, their lovers missing / from the frame.” The poems seek a delicate space that is neither a defense of women or men, but rather an adroit commentary on the mystery of sight. In “Song for the Onion,” the speaker begs, “Let me admire / her reckless theatre.” There is desperation but also an awareness of the possibility of deception in this sentiment that colors much of the gendered discourse in Savage Machinery.
. . . . .Rigby’s second chapbook slides naturally into ekphrasis as Rigby questions the “savage machinery” of the body and its intentions as it “speed[s] into sleep.” The most risky and perhaps the most deftly executed exploration of this subject is a later poem in the chapbook, “The Story of Adam and Eve.” Written after the visual art of the Boucicaut Master, Rigby’s poem works both as a sequence and as a canvas for word and white space:

. . . . . . . . . . . . .Think of the parchmenter scraping
. . . . . . . . . . . . .his curved blade
. . . . . . . . . . . . .cutting double-leaves. . . soaked in lime
. . . . . . . . . . . . .Think of the calligrapher
. . . . . . . . . . . . .gesso. . . .lamp-black. . .oak gall. . .mineral pigments
. . . . . . . . . . . . .the book revealing
. . . . . . . . . . . . .what bereft means: the field whelmed with salt
. . . . . . . . . . . . .crows echoing. . . . . . . . their brothers the songbirds
. . . . . . . . . . . . .a city of exiles given to powdered iron.

“The Story of Adam and Eve” places as parallels the creation of humankind and the creation of art. This framework complements the languages of gender, nature, and domesticity that provide subtle tensions throughout Savage Machinery.
. . . . .If Savage Machinery has a flaw, perhaps it is that at times, Rigby’s use of image and metaphor is so controlled that it verges on the deliberate. This is perhaps most true of the chapbook’s initial poem, “Bathing in the Burned House,” in which the brief, staccato opening sentences seem too heavy compared to the whimsical language of “a child’s / shoe-box diorama” and “the clawfoot tub.” Later—in a lovely moment—women envy the freedom of water, but then “Tease their husbands, saying church drives / and dry cleaning trips are white lies.” For this reader, this moment in the poem verges on the type of intentionality that can change a discussion of women in poetry into inevitable rhetoric. These are sentiments completely absent from the later subtlety of Savage Machinery. Rigby’s language loosens as the collection unfolds, allowing the reader room to explore each poem on its own terms, as necessary collisions of language and image rather than as measured argument.
. . . . .Savage Machinery is a concise yet beautiful example of Karen Rigby’s ability to capture with crystalline precision what is simultaneously visible and yet unknown. The vigor with which she recurrently approaches both the physical and the ethereal gives much of the chapbook a nearly visceral energy. Most admirably, the voice that leads the reader through Savage Machinery is unwaveringly original and fresh—a voice that will hopefully continue to grow into future books.



Rebecah Pulsifer is the Review Editor for OT!M.


Jesse Bishop

Figs


Chubby makes me sound like a dog
from the North, the idea chewy

as cetology. Mother insisted I scamper
with skinny kids from cul-de-sacs.

Stickball was a game for boys whose mommies
made them dance around bases until dark.

Everyone else went home, racing around corners
to beat lights.

Mother said, play ten minutes more,
as though my fat would fall with daylight,

seep into cracked asphalt, relieve her of faults.
During the ten minutes of my childhood

I played like the B-side of a record nearly everyone
had forgotten—loud, obscure, unpolished.

I saw a crack seeping into the neighbor’s yard
and the boy drooled on himself over green

figs. The rope on his belt kept him
from reaching the doghouse. Mother opened

the screen to find me with a hand of figs.
Tugging my belt she yelped,

You don’t need friends like that.



Disarticulation


Once the muscles and internal organs are removed,
it becomes much easier to speak with impunity.
Bones, rigid and frail, only need three pounds
of pressure applied in just the right way
to snap. Break off and leave the soft, sweet marrow
for tomorrow’s lunch. Imagine the naked elbow,
tendons dry from exposure—tennis
elbow was nothing you now know—as the arm flails
hailing a cab that will never stop for something
so pure as the white of bone. My wife says
there are not two hundred and six bones in the body,
and I believe her when tells me this is because
some bones fuse together, depending on age and sex.
Age and sex. Sex and age. Sages and exes are like
axes and wages, both grinding life to a halt
as calcium clings to osteocytes, small halos
on street corner lights. My teeth have fused together,
sothateverysentencebecomesonelonggrunt.
Which reminds of the time when my fingers fused
from being over used, a crippled arthritic hand holding
my twenty-six-year-old thoughts like a cup of prune juice,
like tomorrow. To my marrow, thanks for keeping my bones
smooth and working like the fine levers they are; I’ll level
with you: I like my bones, but I think I’m going to need those muscles
and internal organs after all.



Vox


You spend your days talking—
about the voice of the people, heard by learn’d men,
about the imaginers of sin going blind with the knowledge of delight
about poems written by blind men laden with images that none of us seers will ever get
about blind men writing poems about the images that they hear in the word hubris
about hubris buried in a poet until the girl from the third row of his poetry class
. . . . . . .whispers to him.

And we don’t need to know what she said to know that this is the voice that Adam heard
when he was offered the smallest bite of that fruit, that warm, coy breath of youth—
the words smell aptly like apples, bright red-skinned plumpness, but here,
amid the rows of rosy cheeks, fresh-faced girls
who’ve pushed their fruit to the tips of the branches,
who leave nothing to the wind’s secrets,
whose chests open like trunks in the low cut shirts,
. . . . . . .the loci of love for clueless boys.

You spend your days talking about how fruitless it is to look into the lives of poets,
reading letters, looking for whispers, the lines on the page breaking like innocence
into a million words of Braille. Just little bumps to overcome you say,
spending your days now talking about how to not be heard,
. . . . . . .trying not to become a poem yourself.

And in that moment—
when the whole world knows,
when the whole class knows,
when the whole of your wife’s subconscious knows—
you see the sound of temptation slinking back,
pulling the fleshy blanket overhead,
pulling hubris back behind the zipper,
pulling in under the scrutiny of ears and eyes,
pulling away from the stories that will fall from mouths
because even though you knew better, you took a bite.



Stolen Book on Buddha


You went to New York to see the Times
and hear a lecture on society, but you
brought me a book
on Buddhist Understanding.
And now, I’m sipping black
bourbon from a cup that says
I ♥ NY,
which really makes no sense
because I’ve never even seen
NY, what with the work of yesterday
open on my desk, a lotus of late work,
the zen of procrastination.

As long as I hold my fingers
together and softly hum,
the father’s day tie with a tack
through its back can’t stop me,
or so the mechanical mouth called
human resources softly chants.

Still, those little hearts
are cute and I do like the cup,
but I really like the story that goes
with it, which sounds like this:
. . . . . . . . . . . . . One day a man appeared in Times Square,
. . . . . . . . . . . . . geeked out in goggles and pink legwarmers,
. . . . . . . . . . . . . and asked a puzzling question—
. . . . . . . . . . . . . Here are two men; tell me the sex of each.

And there’s really no response here,
no answer; I see we’re still on that query
asking queerly about sex and snakes
which are a lot like gilded strings
leading to a ball, a knot
of some kind or other, some lump
poking out where it shouldn’t,
and that’s really all sex is for us—
something pokes out when it shouldn’t, prods
others in ways that no forked tongue could,
like a HB#2 in the back of the skull, thumping—
get back to it—enlightenment can wait.



Jesse Bishop's poems have been compared to a drunk white guy dancing, which is not entirely unlike the author himself. He lives in Rome, Georgia, with his wife and daughter, and he teaches for Georgia Highlands College and works on an MFA at Georgia State University. When he's not crushing the capitalist dreams of his customers, uh, he means students, he likes to hang out with daughter and read and write.


Tuesday

John Grey

On the Trail of the Art Thief


This gem I would have painted
but the model absconded with
her nakedness, with her delicate pose,
with those long legs stretched
out towards me like the greeting
hands of sex, of thighs like
wild birds on the cusp of flight,
and behind the traffic of her heart,
the slow beats that measure
the value of time as deeply as
my brushes do the finished work.

Interpol, the Turkish police
and the pages of my diary
are out there now, where the
trail is hot, where the trail
is nothing more than muteness,
silence lame as a dog, where
the question "Why?" is mouthed
in doorways, in low dives, in places
where the paint is still not even dry.

Was it the smell of the burnt ocher,
the musky pinks that drove her off?
Or maybe the number of hairs
in the brush, the ones she counted
in response to my request not to move,
not to breathe?
Breathe and you dishonor my dream, I said.
How can I live not breathing,
she must have wondered
behind the brake squeal of her eyes.

Here among the withered tools of my
sorry trade, this gallows easel, the stakes,
the crucifixes of flesh-tones, the executioners
of maybe this time I will get
it right, I curse these thieves
and their seedy dealers in Amsterdam,
well-heeled buyers from America
hanging what never sits still long enough for me
with Goya's Spanish beauty.


But worst of all is the co-conspirator,
emerging from her robe, floating like
a sail into the vision of my thumb,
my eye, my talent, my life lining her up
as my spine succumbs to the watery chill of heaven,
the hot flash of not having.

Worst of all is the one who knows
what I want, who rakes it in with
a sigh, who swallows it whole and
unencumbered, who knows it better
than me I'm sure, who rushes off with it
before I even start.

I stare into the nothingness for clues,
the air honing itself fine as a tear,
mosquitoes bitching at the lack of oxygen.
I am this dialogue between man and
the serious delusion, praying maybe God
will step in somewhere, talk back,
save the day.
I roam this studio landscape,
sift through conversation,
fresh-baked bread, good roasting coffee,
a tune strummed on an old guitar
underneath the balcony of her weeping voice.
I touch the hunger and the merry love,
the mind game and the blackbird peck.
Some things belong to me instinctively.
My struggle to fix them is what
the broken pieces have warned me about.

Back to work, the memory says.
These villains are a million miles
away by this.
Maybe she weeps as she counts the takings.
Maybe she laughs like a witch
on All Souls Night.
Back to work in the land of vacuums,
of Japanese whiskey bottles,
of Picasso prints.
The brushes are heavy,
paint rolls off their bristles,
splatters on the floor beneath,
paints me crudely across the hardwood,
black and red lizard trails,
desperate fallen stars,
paints me considering
the odd tangle of death,
paints me tracing a map
of this last journey
with downtrodden fingers,
paints me wondering who
the artist is
that does this kind of wretched work.



John Grey was born in Australia and has been a US resident since the late 70s. His work has been recently published in Slant, Briar Cliff Review and Albatross, and is forthcoming in Poetry East, Cape Rock and the Mochila Review.


William Doreski

On the Mental Health of Seafood


Daffodils, grape hyacinth, violets
pepper a cleared space. The forest
envies these cultivars the way
seafood envies the vegetables
in the local market. You mean
nothing special to the heavy men
who peddle lobsters from the backs
of trucks on Friday afternoons—
merely another customer
hesitant, as most people are,
to drop a life form into a pot
of boiling water. But I like
the way you unpeg the claws
to allow them to open and grope
for the flesh of the oppressor
before you cook them forever
and wash down their tender meat
with gulps of Belvedere vodka.
And I like the way you ritualize
the cleanup by arranging the shells
in the fossil shape of the creature
before you formally consign
the scraps to the trash. The days
blossom so bravely in fact
and fiction. This First of May
you’ve celebrated with lobster,
vodka, and a bold new lover
chosen from available stock.
I like the way you rename them
after ancients. This one is Phidras,
but I don’t recognize the source
in Greek myth or literature.
No matter. My flowers tremble
in the gusty dawn and reclaim me
from envy of men you select
for a moment of star-shaped pleasure
fresh from the bottom of the sea.



Verbs of the Plausible


The most densely built-up city
in America has overlaid
itself with a carpet of turf,
patches of forest, and scattered farms.
Cambridge has embraced a dimension
unknown except to physicists
at MIT, who’ve rendered it
in vivid digital colors—
the fields nicely planted, the grass mown
by sheep, goats, cattle, horses.
I walk from Harvard to Central Square
along a gravel road rutted
by wagon wheels. When I step on grass
I feel through the layer of turf
the urban geometry below.
The ordinary sun dangles
in an ordinary metal sky.
Plumed birds utter tropical cries,
fanciful creations resolute
Darwinists applied to this scene
to tweak the bible beaters. I stride
as stridently as possible
to prove that adverb viable
as the digital landscape itself.
But I’m so alone. The farms look
deserted except for the oxen
moaning in their stalls, and the herds
grazing without casting shadows.
When I calculate I’ve reached
Central Square, I place both hands
on the turf and feel the roofs
of familiar buildings. The murmur
of science rises like the smoke
of a brush fire. No palpable words,
only the verbs of the plausible,
in which I don’t participate,
and nouns enough to animate
a texture a layman like me
might otherwise misread as dream.



William Doreski’s most recent collection of poetry is Another Ice Age (2007). He has published three critical studies, including Robert Lowell’s Shifting Colors. His essays, poetry, and reviews have appeared in many journals, including Massachusetts Review, Notre Dame Review, The Alembic, New England Quarterly, Harvard Review, Modern Philology, Antioch Review, and Natural Bridge.


Karen Greenbaum-Maya

Dreams, Ides of March


I see my obituary:
I will have died 9 October 2014.
They got my name almost right.
That’s where I stopped reading.

“Robin Williams is depressed again.”
She was less concerned than smug
that he had called her.

In the car, at night,
Two ladies discuss the arts.
I’m behind the wheel?
Time to turn on the headlights
and drive.

I meet my old boss and interns
for lunch. My place gets taken,
then taken again. I have secret treasure
to record, and no one knows it.

In a small pot, four goldfish.
I’m taking them back
to the tub garden, but
three have died already.
I must have waited too long.



Karen Greenbaum-Maya, a clinical psychologist in Claremont, California, started out as a German Lit major so that she could read poetry for credit. She has reviewed restaurants for the Claremont Courier, sometimes in heroic couplets. Her poems have appeared in Spring Harvest, and soon in Untamed Ink.


Friday

Paul Graham

Sister Theresa


For one summer I held a job in the business office at the College of Notre Dame of Maryland, a Catholic college on the north side of Baltimore. I was in college myself and my mother, who also worked in the business office at CND, swung the job for me. I sat at a desk in a large office in the College’s oldest building, Forier Hall, and entered payee information into an accounts-payable computer program. The work was easy and repetitive and on the worst days numbing, but my friends were sweltering as they sealed driveways or pruned Christmas trees that summer. Sometimes after talking to them I felt like a glorious petty clerk, a temporarily-willing Bartleby.
. . . . .There were nuns at the College of Notre Dame, both in the administration and in the classroom. They belonged to the order of the School Sisters of Notre Dame. For years the sisters had been retiring and dying faster than the convents could replace them, and so the College community was becoming more secularized, but several sisters still passed back and forth through the high-ceilinged hallways. They lived in a small convent above us, on the third floor of Forier Hall. Their chapel was located on the second floor. Some of the sisters were infirm; one, perhaps the oldest, leaned heavily upon a walker, the cross around her neck swinging with every heave-and-plant.
. . . . .I had always liked nuns. In my childhood they were a source of great mystery to me for perhaps two reasons, one of them being that my next door friend growing up, Ryan Shope, attended a Catholic elementary school while I went to public school (we, he said, were Methodist pagans). Ryan Shope was a thick, round-faced kid, a troublemaker. It was his idea to smash the frogs dozing on the scum of the nearby golf-course pond with willow switches and then drop their corpses into the cups for the golfers to find, and once I stood below his attic window as he lowered down to me, in a bed sheet cinched with a rope, a 24" television he had misappropriated for our tree house. Ryan was lazy but sly, bright but a mediocre student, and he claimed authority on the subject of nuns. Each week he emerged from the corridors of Pope John Paul School—he called it Pope Dope—like a veteran infantryman with harrowing tales of combat. The nuns at Pope Dope, he said, had it out for him, which was probably true: something about Ryan Shope seemed to invite a beating. In his tales, all nuns enjoyed cruelty. They spoke sharply, never laughed, and were avid connoisseurs of corporeal punishment.
. . . . .This apparent darker side of their vocation seized hold of my imagination, especially against the devotedness of that life. I remember my mother telling me when I was very young that nuns never married men because they married the Church—married God. That seemed to me, even as a child, a very strange and lonely and beautiful thing for a person to do.
. . . . .Much of my childhood romanticism about nuns evaporated quickly that summer. They were often in grumbly spirits. Some were rumored to be corrupt—Sister Sharon, who ran the physical education program and coached the girls’ field hockey team, supposedly collected receipts dropped in the parking lot of the local grocery store and tried to turn them in for reimbursement. The secular staff whispered that another pair were lovers. Sister Katrina McLeod of the English Department had the most potent body odor I’ve ever smelled on anyone anywhere. Another nun, the head of the education department, ruled on high with an iron fist. Not one of them burst into song like the Mother Superior in The Sound of Music, encouraging their downtrodden students or assistants to “climb every mountain.”
. . . . .There was one sister I came to know rather well, or who, to put it more accurately, came to know me. Sister Theresa-Marie Heldorfer, secretary to Sister Eileen O’Day, the chair of the education department, came by the business office several times a week. She was a wisp of a woman, a tendril of incense. She did not wear the full habit, but she always wore the headpiece atop her soft, wrinkled forehead. I don’t believe I ever once saw her hair except for a patch of feathered silver above her ears. The rest of Sister Theresa’s dress was grandmotherly: long, pressed skirts always dark in color, and ruffled blouses with long sleeves even during the most beastly Maryland summer days, glasses, and a modest cross around her neck. Among the nuns in the building she was one of the most nun-like. She was a walking question to Ryan Shope’s authority: Sr. Theresa-Marie didn’t seem capable of beating anyone, or raising her voice.
. . . . .Sister took an immediate interest in me. Why, I didn’t know. I certainly didn’t give her reason to. That summer I was a college junior, and like most men I’ve known of that age, I was respectful but taciturn around the elderly.
. . . . .Sister asked me about college, how I liked the work, what my future plans were. I answered her like a scared kid, in sentences one to four words long. A couple times she caught me reading on the job— Rick Moody, The Ring of Brightest Angels Around Heaven, a book which I could not have described to her without blushing. When I finished with Moody I switched to a book about which I thought she might have something to say—Tolstoy, I think—if she ever asked. She never did.
. . . . .Soon, whenever Sister brought by a check request, she wanted to speak with me about it, not to make sure I got the amount or the spelling of the payee’s name right, but because she enjoyed my company. She would appear on other side of the high counter, just barely able to see over, and point at me with a crooked finger.
. . . . .“Working hard?” she would ask, her voice a rusty alto.
. . . . .“Of course,” I might say.
. . . . .Smiling, she would pat my hand. Her own hand was both soft and hard, the skin smooth and winkled but the thin bones beneath prominent. We would share a long silence, and then she would turn away and take small steps out the door.

. . . . .I think now that my mother must have told Sister Theresa-Marie about me well in advance of my arrival at the Business Office—that I was an avid reader, a workaholic, carrying a 4.0 GPA into my third year, but that I had also, inexplicably, managed to mess up my life my life by getting ensnared with the wrong girl. Everyone, including me, was hoping that my priorities would get reordered. When the summer passed and they didn’t get reordered, my mother likely continued lamenting to Sister Theresa-Marie in the fall. My mother would not have had to say much, only to breathe a sentence about me and sigh.
. . . . .“Ah, God’s will,” I can hear Sister saying, even though she never once said such a phrase around me.
. . . . .In my imagination all the nuns speak like this from time to time. They are, after all, professional believers. It is one reason why the sight of them, even just the thought of them, comforts me: I imagine that their faith, so much stronger than my own, compensates for the holes and cracks and incompetence through which my own hope so often leaks.


. . . . .In time, I began to fear disappointing Sister Theresa—not in my personal life, which I didn’t think she knew too much about, but in the accuracy of my work. By July I had become a genuine Bartleby; I’d have preferred to not do any of my duties, and my indifference took the form of transposition errors, typographical errors I let live if they seemed close enough to the real spelling of the payee’s name not to affect the delivery of the check or the bank’s endorsement policies, and long, idling walks through the huge building, occasionally up to the nun’s chapel on the second floor. I never went to the third floor, where they lived; for one thing, it was a private place, their home, but I’d also heard by then that some decrepit nuns did in fact languish on that floor all day.
. . . . .Sometimes, if I passed Sister in the hallway, she would smile and raise her right hand, palm outward. It could have been just a simple greeting, but coming from a nun, the gesture felt like a benediction, a gentle greeting of peace. I would not see her for several days, and then, coming from the doorway:
. . . . .Where’s my boy?
. . . . .Right here, Sister.
. . . . .Ah. Good.
. . . . .That call-and-response, all summer. Nothing else. When the time came for me to return to school, we said goodbye across the counter without shaking hands, but I felt a desire, a need, almost, to put my arms around her brittle body.

What was the currency of our friendship, exactly? The daily exchange of pleasantries? The silent smiles in the lemon-scented shadows of Forier Hall? A mutual wonder for each other’s lives?
. . . . .I question the use of that word, friendship. I do not make or keep friends easily. In my lifetime I have had only a handful, fewer than ten. I know people who have too many friends to count, who give fabulous parties during which their houses hiccup and reel, who go on weekend fishing excursions in large groups; and whenever I think of my brother, who is one such person, it is difficult for me to assure myself that my own life is not a failure in this way. Yet I cannot help it: I value quiet, and solitude, and meditative space too much to satisfy the obligations of most friendships. Or, at least, to satisfy so many of them at once. People seem to sense this about me, and so I do not receive many applications, as it were, for the position of Friend. For my part I do not submit many. The friendships I do have are much like anyone else’s, I imagine: intense, and rooted in shared beliefs and history and pastimes, and that trickiest of concepts, loyalty.
. . . . .Sister Theresa and I shared none of these. I could not tell you if she preferred knitting to crochet, tea to coffee, summer to autumn. I could not tell you one concrete detail about her, except that she did have a tragic love for the Baltimore Orioles. She prayed for the Orioles (ineffectually), and joined several other nuns at Camden Yards for a few games each year. But that is all I know about her, really. I, too, remained a mystery to her, except for what my mother told her, which I’d like to think doesn’t count. And yet, unlikely as it seems, I think of Sister Theresa as one of the closest friends I have ever had.
. . . . .She must have thought of me as a friend too, though perhaps it’s more accurate to say that she thought of me as a grandson, or the son she had never had: How’s my boy? I did not realize it at the time I was working at the College, but of course many of the nuns had families, blood sisters and brothers with whom they kept touch because they were not cloistered. Some of these siblings likely had families of their own. There still must have been times when they longed painfully for that other life. Even with its close community, the life of the most willing nun or monk is one of the loneliest and most difficult—and, paradoxically, the most beautiful—that I can think of. For this reason, perhaps, the professionally devout have never seemed to me to be entirely of this world. The sight of a nun coaxing a Buick into a slot at the grocery store (they always seem to pilot huge automobiles), for instance, or bleakly waving a pennant in the box seats, is one of the most jarring and comical sights I know. And how pleased I am to see a nun on board the airplane I am riding!
. . . . .Now I think the very qualities that have made me a poor friend to so many others made me an attractive friend for Sister Theresa. Our friendship was of the mind, perhaps the soul. We experienced a harmony of moods and sensibilities that did not need to be named. Probably it was exciting for her to find this in someone so young, just as it was exciting for me to befriend someone so old. For as long as I worked at CND, and, even after, Sister continued to seek me out. When, the next summer, I returned to the College to take a job in the bookstore, she remembered me, and every week or so I would hear her voice from far across the room where I stacked texts on memory and cognition, The Phaedrus, or The Road to Coorain.
. . . . .Where is he? Where is my boy?
. . . . .When I produced myself for Sister’s inspection, she never wanted anything in particular. She never said anything of consequence. Not the whole summer. She seemed to want only to verify that I was still there. Sometimes she touched my arm, a gesture which always startled me, gave three short pats, then walked away without saying anything, smiling as if about some secret she knew.

After that second summer passed I returned to college and applied to graduate schools. I had jettisoned the bad relationship by then; my priorities were ordered. When I think of how I went about the application process now—blindly, without any thought as to what I was doing, where I was applying, or what I would do instead if I were to be turned down, the odds of which were surely better than the odds of my being admitted—I think that God must indeed watch after fools. I applied to five of the best programs in the country and sat back, waiting for letters of acceptance. I had no alternate plan, no thought that the world might not consent to admit me to my dreams.
. . . . .The first school, the University of Massachusetts as I recall, rejected me. So did the second. And the third. The fourth put me on a wait list. I had been denied things before, but never had I been so resoundingly dispatched, as if with the slamming of heavy steel doors, and now I tasted true despair. Early one morning, while the snow fell in bitter, swirling squalls outside, I received more bad news. I walked back to my dormitory room, a single I had rigged into a rough approximation of a writer’s studio, and smashed the blade of my hockey stick through my wall. Even before I swung I felt that I was about to do something embarrassing and melodramatic. For a moment I regarded the jagged hole in the wall, the chunks of plaster sprayed across my bed. I remembered the tales I’d heard of the University charging hundreds of dollars to patch mere thumbtack holes. Worse, I did not feel any catharsis in the destruction; I felt only the genuine stupidity of someone who clearly did not deserve to study anything, because now he would now have to drive to the hardware store in two feet of drifting snow to buy a can of spackle, a putty knife, and sandpaper before the residence-life staff discovered the damage.
. . . . .Later on as the spackle dried, my friends, who had already been admitted to their graduate schools, showed up and dissuaded me from going to my afternoon class—what good, after all, was education doing me? They took me to the Hoot Owl as soon as it opened. Hours later, they carried me home.
. . . . .When my mother called again at the end of the week, it was to make sure my acts of stupidity weren’t intensifying, and to tell me of a strange encounter she’d had that day with Sister Theresa-Marie. She had been walking to the lady’s room at the end of Forier hall when Sister spotted her, dropped her papers, and waited for her to come outside. Sister had asked after me: How’s my boy?
. . . . .It had been a long time, apparently, since Sister received an update. My mother told her the truth: Things were looking grim for Sister’s boy. I see them huddled in the wide hallway, talking in low voices. The air grows stale from Sister’s breath. Sister might have said the obvious, which was that my denial wasn’t inexplicable, that I was young and cocky and had much to learn, but instead she says that she has been thinking about me. Sister has been thinking about me, and, she assures my mother, raising that crooked finger, she knows everything will be all right. She is sure of it. Will my mother please convey these words to me, exactly? In my mind, I see Sister speaking for the first time with a gleam, a meddling electricity, in her eyes. She has been doing her work. She knows.
. . . . .Three days later, I received a letter admitting me to Michigan on a full fellowship.

One of the first concepts I taught my freshman composition students when I began teaching as a graduate instructor two years later was logical fallacy. Among the easiest logical fallacies to fall victim to is the post hoc fallacy, known formally by the Latin phrase post hoc, ergo propter hoc: “Out of this, therefore because of this.” The pressure point is that pair of slippery words therefore-because, a rusty hinge of hasty generalization, foregone conclusion, superstition, optimism, or desperate wish: a woman notices a correlation between a single penny in her pocket and passing a driving test, and calls the penny lucky; a nun tells the mother of a college kid on the brink of despair that she knows all will be well, and it is so; the college kid credits his admission to his dreams to the nun’s divine intercession.
. . . . .Of course, many coincidences could have brought the letter of admission to me at that time. We might also question the reliability of the messenger who conveyed Sister Theresa’s words. But whenever I think of my mother’s encounter with Sister and what followed immediately after, I think of a line by the poet Stephen Dunn: “You can’t teach disbelief to a child, only wonderful stories/ and we hadn’t a story nearly as good.”
. . . . .And so fallacy seemed deliciously fallacious.
. . . . .I would have thanked Sister, had I ever seen her again. When she died two years later I was in Michigan, happily doing my work beneath the dreary watercolor sky. Word of her death reached my mother, who by then had left the College for another job, several months after, and so I was relieved of the burden of Sister’s funeral. I’d like to think that I would have flown back to Maryland to pay my respects if I had known. In truth, had I returned to Baltimore, I would not have been able to enter the chapel. I could not have touched the polished edge of Sister’s coffin or her cheek. Such a gesture would have seemed somehow wrong, too much. And if the other nuns, smiling at the pleasant surprise of the apparition of such a young man in their midst, had asked me how I had known Sister Theresa-Marie, I would not have known what to tell them.



Paul Graham has published fiction and nonfiction in a variety of literary journals and commercial magazines, most recently Poets&Writers. He teaches creative writing and literature at St. Lawrence University in Canton, New York, where he lives with his wife and their new (and first ever) puppy, a German Shepherd named Tucker, who is currently watching the road with much suspicion.